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Artor Jesus Inkerö | Can’t read what’s not written
Year | 2024 |
Medium | Casted porcelain, glazing | Size | 23 x 20 x 8 cm |
1200,00 €
Available
Shipping | Pick up at the gallery. To ship the piece, please contact info@lokalhelsinki.com for a shipping quote. |
View the piece | The work can be viewed at Lokal gallery, Annankatu 9, 00120 Helsinki. Please contact us at +358 41 314 1794 or info@lokalhelsinki.com to ensure the piece is at Annankatu when you plan to visit. Welcome to view the piece! |
Artor Jesus Inkerö (b. 1989) is a Finnish visual artist whose works have been exhibited in the New Museum in New York, NOON Projects in Los Angeles, Neuer Aachener Kunstverein in Aachen and Helsinki Contemporary. They have participated in artist residencies, such as the Somerset House in London and the Rijksakademie van Beeldende Kunsten in Amsterdam. In their art practice, Inkerö focuses on topics of queer identity and belonging through exhibitions, performances, and public art.
"The porcelain bottle series consists of bottles cast from a mold which are painted with various engobes and glazes. The texts on the works create unity in the series, although each bottle is its own piece. The bottle as an object flirts with the idea of practicality, by being a utility object as opposed to just a work of art. In its shape, a bottle is something in which things have been stored, and thus it refers to the permanence of things over time and to traditions. The messages on the works also refer to time, such as “History travels mouth to mouth,” “News,” “Potential doom” and “Can’t read what is not written.” I made the bottle shape of the works from several parts, and there is no original clay bottle, as is typical when making a porcelain mold. The neck of the bottle is a separate small porcelain object that I threw myself. It was made from various lumps of leftover clay. I made the mold horizontally so that one of its edges is completely flat. I used this mainly to write texts on the pieces, while the more decorative shapes text are on the backs. There was not enough porcelain material left for the bottle with the word “Sex” so one corner was left completely open during casting and in a way it looked unfinished or even broken."